Camera Work: A Centennial Celebration

An exhibition celebrating Alfred Stieglitz’s groundbreaking photographic publication, is on display in the main floor gallery from November 12, 2004 through January 30, 2005.

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Photographer and gallery owner Alfred Stieglitz, although ironically best known today as the husband of Georgia O’Keefe, was one of the central figures in the art world during the early twentieth century. In 1902 Stieglitz began publication of a quarterly magazine entitled Camera Work, which presented photography in the context of modern art. Not only did Camera Work feature works from leading photographers of the period, including Eduard J. Steichen, Paul Strand, and Alvin Langdon Coburn, the magazine introduced its readers to works by Matisse, Picasso, and other leaders of modernism. Also included in the publication were many of Stieglitz’ own photographs, such as “The Steerage,” his well-known 1907 commentary on the immigrant condition.

In addition to being the most influential advocate of modern art in America, Alfred Stieglitz was also the acknowledged leader of the Pictorialist photography movement. In a formal introduction in the first issue of Camera Work, Stieglitz revealed the purpose of his magazine, stating it would “appeal to the ever-increasing ranks of those who have faith in photography as a medium of individual expression, and, in addition, to make converts of many at present ignorant of its possibilities.”

Unlike many of the Pictorialists, who were interested in illustrating domestic situations, Stieglitz showcased bold, graphic subjects in his work, and presented everyday objects in unexpected circumstances. Stieglitz possessed a keen eye for recognizing avant-garde talent which he showcased through his 291 Gallery in New York, as well as through Camera Work.

The exhibition includes a variety of original photogravures from 1903 through 1917, along with original copies of the publication.

A reception will be held on Friday, November 12 from 7-9 p.m.